{"product_id":"tetard-two-4-candle-antique-french-950-sterling-silver-candelabra","title":"Tetard - Two 4-Candle Antique French Louis XVI 950 Sterling Silver Candelabra + Storage Wraps, Museum Quality","description":"\u003cbody\u003e\n\n\n\n\u003cmeta http-equiv=\"Content-Type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003ctitle\u003eTetard Freres - Two antique  French 950 Louis XVI Sterling silver candelabra\u003c\/title\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003cstyle type=\"text\/css\"\u003e\n p.MsoNormal\n\t{margin-top:0in;\n\tmargin-right:0in;\n\tmargin-bottom:8.0pt;\n\tmargin-left:0in;\n\tline-height:115%;\n\tfont-size:12.0pt;\n\tfont-family:\"Calibri\",sans-serif;\n\t}\n.style1 {\n\tfont-size: medium;\n}\n\u003c\/style\u003e\n\n\n\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003c!--Tetard Frères, French silversmiths, 19th century silverware, antique French silver, 950 sterling silver, sterling silver candelabra, antique candelabra, French silver craftsmanship, Napoleon III silver, Empress Eugénie silver, Rococo Revival silver, Parisian silversmiths, luxury antique silver, French Empire silver, antique silver lighting, silver candelabra history, Tetard Frères marks, Minerva head silver, French hallmarks, silver collecting, antique silver valuation, rare silver candelabra, European antique silver, Second Empire silver, aristocratic silverware, French decorative arts, 19th century luxury, silver auction prices, museum-quality silver, investment-grade silver--\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cb\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003eDirect from Paris:\u003c\/span\u003e\u003c\/b\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003e \nA stunning pair of original 950 sterling silver Louis XVI 4-candle candelabra in \nsuperb condition by one of France’s premier silversmiths \"Tetard Frères\", and \nincludes two anti-tarnish storage wraps for easy storage - circa early 1900s.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eThe art of French silversmithing during the 19th century represents one \nof the most refined and sophisticated periods in the history of decorative arts. \nThis era, marked by the transition from neoclassicism to eclecticism, saw the \nrise of numerous workshops that pushed the boundaries of craftsmanship, design, \nand technical innovation. Among these, the Parisian firm Tetard Frères emerged \nas one of the most distinguished silversmithing houses, celebrated for its \nexceptional quality, intricate artistry, and prestigious clientele. The firm’s \nreputation was built upon its mastery of high-grade sterling silver, \nparticularly its use of the luxurious 950 standard, as well as its ability to \ncreate pieces that balanced functionality with breathtaking ornamentation. One \nof their most iconic creations, the four-candle candelabra in 950 sterling \nsilver, exemplifies the height of their technical skill and artistic vision.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cb\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003eExcellence in \nSilversmithing:\u003c\/span\u003e\u003c\/b\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\n\u003cspan style=\"mso-spacerun:yes\"\u003e \u003c\/span\u003eThe origins of Tetard Frères can be \ntraced to early 19th-century Paris, a city that was then the epicenter of luxury \ncraftsmanship and artistic innovation. The firm was established during a period \nof great transformation in French decorative arts, influenced by the aftermath \nof the French Revolution and the rise of the Napoleonic Empire, which revived \ninterest in opulent and imperial aesthetics. Tetard Frères quickly distinguished \nitself from competitors by adhering to the highest standards of silversmithing, \nemploying only the most skilled artisans and utilizing superior materials.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003eBeyond their technical \nprowess, Tetard Frères was known for their stylistic versatility. Their work \nreflected the evolving tastes of the 19th century, from the restrained elegance \nof the Empire style to the more exuberant and naturalistic designs of the Rococo \nRevival. This adaptability ensured that their creations remained fashionable \namong the elite, who demanded both timeless beauty and contemporary \nsophistication. The firm’s output included a wide range of objects, from tea and \ncoffee services to elaborate centerpieces and, most notably, their magnificent \ncandelabra, which became symbols of wealth and refinement.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cb\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003eInnovative \nCraftsmanship:\u003c\/span\u003e\u003c\/b\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003e \nThe silversmiths at Tetard Frères were masters of both traditional and \ninnovative techniques, blending time-honored methods with creative approaches to \ndesign. Each piece was meticulously crafted by hand, with particular emphasis on \nrepoussé, a technique in which metal is shaped by hammering from the reverse \nside to create intricate relief designs. This method allowed for the creation of \ndynamic, three-dimensional motifs, such as scrolling foliage, mythological \nfigures, and elaborate floral arrangements, which were hallmarks of their work.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003eChasing, another critical \ntechnique employed by the firm, involved refining the details of a repoussé \ndesign by working on the front surface with finely crafted tools. This process \nadded depth and texture, enhancing the visual appeal of each piece. Engraving \nwas also a vital component of their craftsmanship, used to inscribe delicate \npatterns, monograms, or dedications that personalized objects for their \naristocratic owners. The combination of these techniques resulted in silverware \nthat was not only functional but also a testament to the artistic vision of its \ncreators.\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003eA particularly noteworthy \naspect of Tetard Frères’ work was their ability to balance ornamentation with \npracticality. Unlike some silversmiths who prioritized decorative excess, the \nfirm ensured that every embellishment served a purpose, whether in reinforcing \nthe structure of a piece or enhancing its aesthetic harmony. This philosophy is \nevident in their candelabra, where the curvature of the arms, the weight \ndistribution of the base, and the placement of decorative elements were all \ncarefully considered to create a piece that was as stable as it was beautiful.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003eThe production of their \nrenowned four-candle candelabra, for example, required not only artistic skill \nbut also engineering precision. The central column had to support the weight of \nthe arms and candles without bending, while the base needed sufficient heft to \nprevent tipping. The firm achieved this through a combination of expert \nmetalwork and thoughtful design, often incorporating weighted cores within the \nbase that were concealed beneath ornate silver shells. Such innovations \ndemonstrated their ability to merge form and function seamlessly.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%\"\u003e\n\u003cb\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003cspan class=\"style1\"\u003e\nAwards and Accolades: \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003cspan class=\"style1\"\u003e\nThroughout the 19th century, Tetard Frères participated in several prestigious \nindustrial exhibitions, where their work was consistently met with critical \nacclaim. These exhibitions, particularly the Exposition Universelle held in \nParis in 1855, 1867, and 1878, were platforms for the finest artisans and \nmanufacturers to showcase their creations to an international audience. The \nfirm’s participation in these events not only elevated their reputation but also \nprovided opportunities to attract high-profile commissions.\u003c\/span\u003e\u003cspan style=\"mso-spacerun:yes\"\u003e\u003cspan class=\"style1\"\u003e \n\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003eAt the 1867 Exposition \nUniverselle, Tetard Frères received a silver medal, a significant honor that \nrecognized their contributions to the decorative arts. Their display likely \nincluded a range of their most exceptional pieces, such as intricately designed \ntea sets, opulent centerpieces, and, of course, their sterling silver \ncandelabra. The jury, composed of art critics, fellow craftsmen, and members of \nthe aristocracy, would have evaluated their work based on criteria such as \ntechnical skill, innovation, and aesthetic appeal. The fact that Tetard Frères \nwas awarded a medal speaks to their standing as one of the leading \nsilversmithing firms of the era.\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003eBeyond these grand \nexhibitions, the firm also garnered recognition through more specialized \ncompetitions and salons. Their pieces were frequently featured in luxury \ncatalogs and were sought after by private collectors and institutions alike. The \naccolades they received were not merely ceremonial; they had tangible benefits, \nreinforcing the firm’s prestige and driving demand among the elite.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cb\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003eServing European \nRoyalty:\u003c\/span\u003e\u003c\/b\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eThe prestige of Tetard Frères was further cemented by their association \nwith European royalty and aristocracy. French nobility, particularly during the \nSecond Empire under Napoleon III, had a profound appreciation for fine \nsilverware, and the firm was among the select few workshops entrusted with \ncreating pieces for the imperial household. Empress Eugénie, known for her \nrefined taste and patronage of the arts, was a particularly influential client \nwhose preferences helped shape trends in luxury craftsmanship.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003eIn addition to French \nroyalty, Tetard Frères’ work found favor among the Russian imperial court, where \nFrench silver was highly prized for its elegance and sophistication. The firm’s \ncandelabra and other decorative objects were likely displayed in the grand \npalaces of St. Petersburg and Moscow, serving as symbols of wealth and cultural \nrefinement. The international appeal of their work was a testament to their \nability to transcend national boundaries and cater to the tastes of a diverse \nand discerning clientele.\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003eThe firm’s \nconnections with aristocracy extended beyond commissions; many of their pieces \nwere gifted as diplomatic presents or as part of dowries, further enhancing \ntheir prestige. The presence of Tetard Frères silver in royal inventories and \nestate records underscores their importance in 19th-century luxury markets.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cb\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003e950 Sterling \nCandelabra:\u003c\/span\u003e\u003c\/b\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eAmong the most celebrated works of Tetard Frères is their four-candle \ncandelabra, a masterpiece of 19th-century silversmithing that embodies the \nfirm’s technical mastery and artistic vision. These candelabra were not merely \nfunctional objects but were designed to serve as focal points in the grand \ninteriors of aristocratic homes, reflecting the wealth and sophistication of \ntheir owners.\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003eThe design of these \ncandelabra typically featured a central column adorned with intricate motifs, \noften inspired by nature or classical mythology. The arms, which extended \ngracefully from the stem, were carefully proportioned to ensure balance, both \nvisually and structurally. Detachable bobeches, or drip pans, were a common \nfeature, allowing for easy maintenance while also adding an additional \ndecorative element.\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003eOne of the most \nremarkable aspects of these candelabra was their use of asymmetry, a \ncharacteristic of the Rococo Revival style that was particularly popular in \nmid-19th-century France. Unlike the rigid symmetry of earlier neoclassical \ndesigns, Tetard Frères’ candelabra often incorporated dynamic curves and organic \nforms, creating a sense of movement and vitality. This stylistic choice \nreflected broader trends in decorative arts, where there was a growing \npreference for more fluid and expressive designs.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003eFrom a technical \nstandpoint, the production of these candelabra was a complex process that \nrequired advanced metallurgical knowledge. The high silver content (950) meant \nthat the metal was softer and more malleable than standard sterling, \nnecessitating expert handling to prevent warping or cracking during shaping. The \nfirm’s silversmiths employed raised construction techniques, where the \ncandelabra was built from multiple hammered and soldered components rather than \ncast as a single piece. This method allowed for greater detail and a lighter \noverall weight without sacrificing durability.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cb\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003eThe Tetard Legacy:\u003c\/span\u003e\u003c\/b\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eToday, Tetard Frères’ candelabra are highly sought after by collectors \nand museums. Their rarity, combined with their historical significance, makes \nthem prized acquisitions at auctions. Pieces bearing the Tetard Frères hallmark \n- typically a signature stamp with the firm’s name and the Minerva head (the \nFrench silver standard mark) - command premium prices, often exceeding tens of \nthousands of dollars depending on condition and provenance.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eTetard Frères remains one of the most illustrious names in 19th-century \nFrench silversmithing, a firm whose work epitomized the fusion of artistry and \ntechnical excellence. Their 950 sterling silver candelabra stand as enduring \nsymbols of their craftsmanship, admired for their beauty, functionality, and \nhistorical importance. Through their award-winning exhibitions, royal patronage, \nand unwavering commitment to quality, Tetard Frères secured a permanent place in \nthe annals of decorative arts.\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003eFor collectors and \nhistorians alike, their pieces are not merely antiques but testaments to a \ngolden age of silversmithing, where every hammer stroke and engraved line \nreflected a dedication to perfection that continues to inspire admiration \ncenturies later. The legacy of Tetard Frères serves as a reminder of the \nenduring value of craftsmanship and the timeless appeal of objects created with \nboth skill and passion.\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cb\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003eSet Specifications:\u003c\/span\u003e\u003c\/b\u003e\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eThis amazing set of candelabra is a stunning example of the fine \nworkmanship and quality for which the firm was internationally acclaimed.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eEach piece is stamped on the base with the French Government's Head of \nthe Minerva 1 hallmark certifying a minimum of 950 sterling silver in addition \nto the Tetard Frères' manufacturer's sterling silver hallmark, and each comes \nwith its own anti-tarnish wrap for easy storage.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; line-height: 100%; font-size: medium;\"\u003e\n\u003cspan style='font-family:\"Arial\",sans-serif'\u003eCandelabra #1 stands \napproximately 28.00 cm. high, is roughly 25.00 cm. across and weights 1,145 \ngrams. \u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003eCandelabra #2 also stands \napproximately 28.00 cm. high, is roughly 25.00 cm. across and weights 1,145 \ngrams. \u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\n\n\n\u003c\/body\u003e","brand":"Estate-Sterling.com","offers":[{"title":"Default Title","offer_id":42849392361691,"sku":"Tetard4Candle-240921","price":11336.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/1348\/2715\/products\/41Gx8KuHu0L.jpg?v=1652635519","url":"https:\/\/www.onlinesilver.store\/products\/tetard-two-4-candle-antique-french-950-sterling-silver-candelabra","provider":"Estate-Sterling.com","version":"1.0","type":"link"}