{"product_id":"gallia-christofle-5pc-antique-french-19th-century-silver-plate-tea-set-like-new","title":"Gallia (Christofle): 5pc Antique French 19th Century Silver Plate Tea Set - Like New !","description":"\u003cbody\u003e\n\n\n\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003cmeta http-equiv=\"Content-Type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003ctitle\u003eGallia Christofle 5 piece 19th century silver plate tea set\u003c\/title\u003e\n\u003cstyle type=\"text\/css\"\u003e\n p.MsoNormal\n\t{margin-top:0in;\n\tmargin-right:0in;\n\tmargin-bottom:12.0pt;\n\tmargin-left:0in;\n\tfont-size:12.0pt;\n\tfont-family:\"Aptos\",sans-serif;\n\t}\n.style1 {\n\tfont-family: Arial, Helvetica, sans-serif;\n\tfont-size: medium;\n}\n\u003c\/style\u003e\n\n\n\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003c!--Gallia silversmith, Christofle silver, French silver plate, 19th century tea set, Art Nouveau silver, Gallia tea set, Christofle Gallia, French silversmith history, electroplating silver, Christofle royal patronage, Gallia silverware, antique French silver, Christofle craftsmanship, Gallia hallmark, silver plated tea service, Christofle Napoleon III, French tableware history, Gallia Art Nouveau, Christofle Exposition Universelle, antique tea set value, Gallia silver alloy, French silver marks, Christofle galvanoplasty, 19th century French silver, Gallia rooster mark, Christofle awards, silver plating process, French luxury silver, Christofle museum quality, antique Gallia value--\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align:justify\"\u003e\u003cspan class=\"style1\"\u003e\u003cstrong\u003e\nDirect from Paris:\u003c\/strong\u003e\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003eA \nmagnificent 5pc. original French Art Nouveau silver-plated tea set by France’s \npremier silversmith, Gallia, a subsidiary of Christofle – Silversmith to the \nKing. The set includes a teapot, coffee pot, sugar bowl and serving tray by \nGallia plus a rare hot water thermos which is Italian in addition to a small tea \nstrainer which is not hallmarked.\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003eAll the pieces are in \nexcellent condition and have been professionally refinished to near new \ncondition. \u003c\/span\u003e \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align:justify\"\u003e\u003cspan class=\"style1\"\u003eGallia and \nthe Democratization of Luxury in French Silversmithing: The annals of French \ndecorative arts are replete with names that evoke prestige, innovation, and \nunparalleled craftsmanship. Among these, Christofle stands as a colossus, a name \nsynonymous with the highest quality silverware and the democratization of luxury \nthrough technological prowess. Yet, within the grand narrative of this \nillustrious house, a distinct and equally significant chapter is reserved for \nGallia. More than a mere subsidiary or a brand extension, Gallia served as a \ncrucible for artistic modernity, a testament to the material ingenuity of the \nlate 19th century, and a bridge between the artisan's hand and the industrial \nage. The Christofle-Gallia collection, particularly its celebrated silver-plated \ntea sets of the late 19th century, represents the apex of Christofle’s strategy \nto fuse cutting-edge electroplating technology with avant-garde design, thereby \ncreating a new, accessible, and distinctly modern aesthetic for the burgeoning \nbourgeoisie while upholding the standards of quality and craftsmanship that had \nearned the parent company its royal warrants.\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align:justify\"\u003e\u003cspan class=\"style1\"\u003e\u003cstrong\u003eThe \nGenesis of a Name and an Alloy:\u003c\/strong\u003e\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eThe story of Gallia is inextricably linked to the broader narrative of \nChristofle's industrial ascent. While the parent company was founded by Charles \nChristofle in 1830, the specific genesis of Gallia as a recognized entity \noccurred later. The name \"Gallia,\" derived from the Latin term for Gaul and \nevoking a spirit of French national pride, was initially associated with a \nspecific alloy used by Christofle. This was not a simple base metal; it was a \nhigh-quality copper and tin alloy that, through the application of Christofle’s \nrevolutionary silver-plating techniques, could be transformed into pieces of \nremarkable beauty and durability. The choice of the Gallic rooster as its \nhallmark was a deliberate act of branding, positioning the product as distinctly \nFrench and emblematic of national innovation and quality.\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; font-family: Arial, Helvetica, sans-serif; font-size: medium;\"\u003e\nThe production of Gallia pieces was initially carried out under the original \nGallia mark before being replaced by Christofle's marks as the brand's success \ngrew. According to Christofle's official records, the Gallia brand was created \nby the company at the end of the 19th century, operating as a distinct division \nbefore being fully integrated into the main collections in the 1920s. This \nintegration underscores that Gallia was more than a marketing ploy; it was a \nfundamental part of Christofle's creative and commercial strategy. It served as \na \"laboratory of ideas,\" a space where designers could experiment with bold, \nmodern styles, breaking away from the repetitive motifs of the Louis XVI and \n18th-century revivals that had dominated tableware since 1850. This was a \ncalculated move to cater to a changing clientele. As the industrial revolution \ncreated new wealth and a burgeoning middle class, the demand for luxury goods \nthat signaled status but remained financially accessible grew exponentially. \nGallia was Christofle's answer to this new market, offering the prestige of the \nChristofle name with designs that were contemporary and avant-garde.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align:justify\"\u003e\u003cspan class=\"style1\"\u003e\u003cstrong\u003eThe \nElectrifying Revolution - Christofle and Galvanoplasty:\u003c\/strong\u003e\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eTo fully appreciate Gallia, one must understand the technological \nrevolution that made it possible. The early 19th century witnessed the nascent \nstages of electroplating, a process that uses an electric current to deposit a \nthin layer of a precious metal, such as silver or gold, onto a base metal. It \nwas Charles Christofle who recognized the immense potential of this nascent \ntechnology. In 1842, he secured the exclusive French license for the patents \nheld by the English industrialists Henry and George Richards Elkington, who had \nperfected the commercial applications of electroplating. This was a pivotal \nmoment that would fundamentally alter the landscape of French silversmithing.\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; font-family: Arial, Helvetica, sans-serif; font-size: medium;\"\u003e\nBefore electroplating, the production of silver objects was the exclusive domain \nof master silversmiths who hammered and shaped solid silver, a laborious and \ncostly process that placed such items beyond the reach of all but the wealthiest \naristocrats. Christofle’s adoption of galvanoplasty (electroplating) and \ngalvanoplastics (electrotyping) revolutionized the industry. The use of molds, \nparticularly after the introduction of gutta-percha molds by Henri Bouilhet, \nChristofle's nephew and successor, allowed for the intricate shaping of metal \nalloys with a level of detail and consistency previously unattainable through \nhand-hammering alone. This industrial process did not sacrifice quality; rather, \nit enhanced it by allowing for greater complexity of form and guaranteed a \nuniform thickness of the silver coating.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; font-family: Arial, Helvetica, sans-serif; font-size: medium;\"\u003e\nChristofle’s mastery of this technology was not merely technical; it was \ncommercially and artistically transformative. It allowed the house to produce a \nvast array of pieces - from flatware and tea sets to elaborate centerpieces - at \na fraction of the cost of solid silver. A Christofle or Gallia piece, while \nsilver-plated, was not considered a cheap imitation. The quality of the base \nalloy, the thickness of the silver deposit, and the meticulous finishing ensured \nthat these objects possessed the luster, weight, and durability to rival their \nsolid silver counterparts. By 1845, Christofle had founded a specialized company \nto handle the growing demand, and by the time of Charles Christofle's death in \n1863, he had established the most significant silversmithing enterprise in \nFrance. This industrial prowess formed the indispensable foundation upon which \nthe Gallia collection was built.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align:justify\"\u003e\u003cspan class=\"style1\"\u003e\u003cstrong\u003e\nRoyal Patronage and Official Accolades: \u003c\/strong\u003eFor a silversmith in \n19th-century France, no accolade was more coveted than royal patronage. \nChristofle’s mastery of electroplating quickly attracted the attention of the \nhighest echelons of French society. The company's work caught the eye of King \nLouis-Philippe I, but it was under the reign of Napoleon III that Christofle \nachieved its most prestigious status, being named the official \"Fournisseur de \nl’Empereur\" (Supplier to the Emperor). This royal endorsement was a powerful \nmarketing tool, an indelible stamp of quality that assured clients of the \nexcellence and sophistication of the house's creations.\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; font-family: Arial, Helvetica, sans-serif; font-size: medium;\"\u003e\nThe patronage extended beyond national borders, as Christofle's reputation as a \nsilversmith \"to the King\" became internationally recognized. The house provided \nsilverware for royal banquets, state dinners, and diplomatic receptions across \nEurope. This relationship was more than transactional; it wove Christofle into \nthe fabric of European courtly life and solidified its reputation as the \nsilverware of choice for \"generations of kings, queens, and emperors”. This \nroyal association lent an aura of legitimacy and grandeur to all Christofle \nproducts, including the more accessible Gallia line. The Gallia rooster, as a \nsymbol, stood under the protective shadow of the imperial eagle, allowing its \nowners to partake, even in a small way, in the prestige of the monarchy.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; font-family: Arial, Helvetica, sans-serif; font-size: medium;\"\u003e\nThis prestige was further cemented by a long list of awards and accolades at the \ninternational exhibitions that were the hallmark of the 19th century. These \n\"world's fairs,\" held regularly in Paris in 1855, 1867, 1878, 1889, and 1900, \nwere grand showcases for industrial and artistic progress. Winning a medal at \nthese exhibitions was a sign of global recognition and a guarantee of \nsuperiority. Christofle was a frequent and celebrated exhibitor, with its \ninnovative electroplating and dazzling designs earning it numerous prizes. The \nyear 1900 was particularly significant for the Gallia collection. It was at the \nExposition Universelle of 1900 in Paris that the Gallia name was formally \nlaunched, and its innovative designs were presented to an international \naudience. The success of this launch was immediate and profound, establishing \nGallia as a symbol of the Art Nouveau movement and \"French innovation”. These \nawards were not mere trophies; they were powerful validations of Christofle's \ndual commitment to technical innovation and artistic excellence, which were the \ncornerstones of the Gallia collection.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align:justify\"\u003e\u003cspan class=\"style1\"\u003e\u003cstrong\u003e\nGallia's 19th-Century Silver-Plated Tea Services: \u003c\/strong\u003eThe tea service, as a \nsocial ritual and status symbol, reached its zenith in the 19th century. The \ntaking of tea was a ceremonial occasion, a performance of domesticity and social \ngrace that demanded an appropriate stage. The tea set, therefore, became an \nessential acquisition for any household of standing, serving as a visible \ndisplay of taste, wealth, and sophistication. It is within this context that \nGallia's silver-plated tea sets of the late 19th and early 20th centuries must \nbe understood. They were not merely functional utensils; they were highly \ndesigned objects meant to elevate the mundane act of drinking tea into an \naesthetic experience.\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003eA typical \nGallia tea set from this period was a masterpiece of design and technical \nexecution. \u003c\/span\u003e \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; font-family: Arial, Helvetica, sans-serif; font-size: medium;\"\u003e\nA Gallia tea set was thus more than a tea set; it was a manifesto of modernity. \nThe pieces featured sleek lines, sinuous handles inspired by natural forms, and \nintricate yet stylized floral or faunal motifs. The silver-plating on the robust \nGallia alloy allowed for crisp, sharp detailing that was well-suited to the \nsinuous, asymmetrical curves of 19\u003csup\u003eth\u003c\/sup\u003e century styles.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eThe decision to employ the Gallia alloy was crucial here. As noted, this \nwas a \"hard-wearing tableware\" that \"could also be melted into steel molds \ninstead of being hammered into shape”. This allowed for the precise reproduction \nof complex, modern designs that would have been difficult and exorbitantly \nexpensive to produce by hand in solid silver. The result was a set that looked \nand felt substantial - \"a great heavy feeling when you hold it\" - yet was priced \nfor the \"wider market\" of the affluent bourgeoisie . The \"museum quality\" of \nthese sets, as described by modern auctioneers, is a testament not just to their \nage, but to the superlative craftsmanship invested in their creation. The fact \nthat Gallia pieces are still highly sought after and eligible for buyback by \nChristofle itself speaks volumes about their enduring quality and the intrinsic \nvalue of the brand.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align:justify\"\u003e\u003cspan class=\"style1\"\u003e\u003cstrong\u003e\nGallia - A Legacy Forged in Silver and Modernity:\u003c\/strong\u003e\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eThe story of Gallia is a compelling narrative of how tradition and \ninnovation can coalesce to create something truly groundbreaking. While the \nGallia name was a creation of the Christofle house, it developed a distinct \nidentity and a unique legacy. It stood for a commitment to pushing the \nboundaries of design, leveraging the latest industrial technology to make \nhigh-quality silverware accessible to a new, wider audience. Its success was \nbuilt upon the formidable foundation laid by Charles Christofle and Henri \nBouilhet, whose pioneering work in electroplating and galvanoplastics had \nrevolutionized the silver industry and secured the patronage of the French \nimperial court. The royal warrants and international awards that Christofle \namassed provided the golden halo of prestige that elevated the Gallia rooster, \nensuring that the brand was perceived not as a cheaper alternative, but as a \nmodern and equally desirable choice.\u003c\/span\u003e\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; font-family: Arial, Helvetica, sans-serif; font-size: medium;\"\u003e\nThe 19th-century silver-plated tea set is perhaps the ultimate expression of the \nGallia ethos. It was a functional object of daily use, yet it was also a symbol \nof social aspiration, artistic discernment, and technological confidence – as \nillustrated by this magnificent 5-piece set. \u003cspan style=\"mso-spacerun:yes\"\u003e \u003c\/span\u003eTo \nown a Gallia tea set was to align oneself with the forward-looking spirit of the \nArt Nouveau movement, to reject the tired historicism of the past, and to \nembrace a modern vision of beauty. The ability to produce such ornate and \nintricate forms in silver plate, without sacrificing the weight, feel, or \ndurability of silver, was the unique alchemy that Christofle-Gallia perfected. \nTheir production was a triumph of the industrial age, an example of how art and \ntechnology could work in concert to democratize beauty. Today, surviving Gallia \npieces serve as elegant artifacts, testaments to an era when the table was a \nstage, the host was a patron, and the silversmith was an artist-engineer, \ncapturing the spirit of a new age in gleaming, gilded metal. The Gallia rooster \nno longer just crows for French innovation; it stands as a timeless symbol of \nthe union of impeccable craftsmanship, technological prowess, and the eternal \nhuman desire to surround oneself with objects of beauty and distinction.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align:justify\"\u003e\u003cspan class=\"style1\"\u003e\u003cstrong\u003eSet \nComposition:\u003c\/strong\u003e\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003eThis stunning \nset includes a teapot, coffee pot, sugar bowl, and serving tray all \nappropriately “Gallia” stamped in addition to a thermos hot water serving which \nhas Italian markings and a tea strainer which is not hallmarked.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eAll the pieces have been professionally refinished to near new condition. \nThe teapot stands 20.50cm. to the top of the lid, is 22.00cm. across from the \ntip of the spout to the outside of the handles and weighs 788 grams. It is \nstamped “Orfevrerie Gallia 5671” on the underside.\n\u003cspan style=\"mso-spacerun:yes\"\u003e \u003c\/span\u003eThe elegant cream pitcher is 11.00cm. \nhigh to the top of the spout, 11.00cm. across from the tip of the spout to the \noutside of the handle and weighs 244 grams. It is also stamped “Orfevrerie \nGallia 5671” on the underside. The amazing sugar bowl is 15.00cm. high to the \ntop of the lid, 14.50cm. across to the outside of the handles and weighs 567 \ngrams. It is also stamped “Orfevrerie Gallia 5671” on the underside. The hot \nwater jug \/ thermos is 21.00cm. high to the top of the lid leaver, 17.00cm. \nacross to the outside of the handle and weighs 1,061 grams.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eIt is stamped “Standard” and “Made in Italy” on the underside stopper. \nThe dainty tea strainer is 3.00cm. high, 4.50cm. in diameter and weighs 24 \ngrams.\u003cspan style=\"mso-spacerun:yes\"\u003e  \u003c\/span\u003eThere are no hallmarks. The \nsturdy serving tray measures 58.50cm. in length to the outside of the handles, \nis 37.50cm. across at its widest point and weights approximately 1,920 grams.\u003cspan style=\"mso-spacerun:yes\"\u003e \n\u003c\/span\u003eThe hallmarks on the underside are illegible. \u003c\/span\u003e\n\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\n\n\n\n\u003c\/body\u003e","brand":"OnlineSilver.Store","offers":[{"title":"Default Title","offer_id":49267806765275,"sku":"CGa5pc-090926","price":3153.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/1348\/2715\/files\/Gallia-5pcPlatedTeaSet-SetComplete-3.png?v=1788972708","url":"https:\/\/www.onlinesilver.store\/en-ca\/products\/gallia-christofle-5pc-antique-french-19th-century-silver-plate-tea-set-like-new","provider":"Estate-Sterling.com","version":"1.0","type":"link"}